My work begins in silence. I photograph to excavate stillness from noise—to find the moment a city exhales or a figure in motion becomes a monument.

I draw from a background in software and storytelling, using precision as a way to reach poetry. My images often unfold as stitched panoramas or minimal monochrome portraits, shaped by themes of urban solitude, digital memory, and the myth of permanence. These aren’t records of place—they’re invitations to pause, to be present.

This approach is evident in New York City Nocturne. I didn’t set out to document a skyline. I set out to witness the city’s spirit. The final piece is built from 56 individual frames, captured by hand and merged into a single panoramic composition—one that stretches across quiet and light. It's the first in a developing series exploring mood, ritual, and the invisible shape of time.